The film was hailed as a “genre-busting triumph” by acclaimed horror author Stephen King, and was praised for being artful in its execution and genuinely eerie in tone. February 2012 saw the theatrical release of Hammer’s first ever feature ghost story The Woman In Black, directed by James Watkins, adapted by Jane Goldman from the book by Susan Hill, and starring Daniel Radcliffe. Then came the unprecedented success of The Curse of Frankenstein, loosely based on the 1818 novel, Frankenstein: or, The Modern Prometheus by Mary Shelley. Hammer Films, in full Hammer Film Productions Limited, also called Hammer Studios, British production company known for its low-budget, gothic horror feature films.. Here's Hammer Films' history, explained. The now-legendary British company went on to make such classics as Dracula (and its many sequels), making international stars out of Peter Cushing and Christopher Lee, changing the face of horror cinema, and inspiring a generation of Hollywood filmmakers, including George Lucas, Martin Scorsese and Tim Burton. Alan Barnes and Marcus Hearn's THE HAMMER STORY is an exhaustive historical study of the horror films produced by Britain's Hammer Studios from the 1950s to the 1970s. In 1934 theatre owner Enrique Carreras and jewelry store owner William Hinds—who also performed in variety shows under the stage name of Will Hammer—joined forces to form the film distribution company Exclusive Films, Ltd. The author has interviewed many of the actors and other employees most of whom recollect their times at Hammer with amusement and affection. Hammer Film: Taste The Blood Of Dracula (1970) The following year, Linda bared all in the non-Hammer horror flick Blood on Satan’s Claw (1971), then continued the trend of disrobing in a series of raunchy British comedies: Confessions of a Window Cleaner (1974) and the subtly titled Let’s Get Laid (1978).. 4. Many of these involved classic horror characters such as Baron Victor Frankenstein, Count Dracula, and the Mummy, which Hammer reintroduced to audiences by filming them in vivid colour for the first time. Recent output includes the worldwide box office smash The Woman in Black, critically acclaimed Let Me In, and 2014 paranormal thriller The Quiet Ones. Despite their success here, Hammer continued to experiment with other genres. By the mid-1950s, Hammer was able to concoct a compelling combination of horror, fantasy, and sci-fi, which led to the production of films like Val Guest’s The Quartermass Experiment. The film has taken over $130m worldwide making it one of the biggest indie horror films ever. First in Hammer's Cave Girl film series: Dracula: Prince of Darkness: 1966 Third in Hammer's Dracula film series: The Plague of the Zombies: 1966 Rasputin the Mad Monk: 1966 The Reptile: 1966 The Witches: 1966 The Devil's Own: A Challenge for Robin Hood: 1967 Frankenstein Created Woman: 1967 Fourth in Hammer's Frankenstein film series: The Mummy's Shroud: 1967 Hammer Film Productions was founded in 1934 by William Hinds and his partners. The much anticipated Woman in Black: Angel of Death – Hammer’s first sequel in 41 years – began terrifying audiences in January 2015. Oct 14, 2014 - Hammer Films was the most successful independent film company ever, producing comedy, drama, mysteries, and war movies before finding their niche in horror. The Quiet Ones starring Jared Harris (Sherlock Holmes: A Game of Shadows), Sam Claflin (The Hunger Games: Catching Fire), and Olivia Cooke (Bates Motel) was released in April 2014. It focussed on the female vampire in films such as Countess Dracula, and struck a two picture co-production deal with Shaw Brothers ‐ producing the Karate/Horror crossover The Legend of the Seven Golden Vampires and action-thriller Shatter. Hammer Story: The Authorised History of Hammer Films: Amazon.es: Barnes, Alan, Hearn, Marcus: Libros en idiomas extranjeros A one-stop shop for all things video games. 'Hammer Films' tells the story of a mansion that was converted into a studio, a close film-making community and some of the best-loved horror movies ever made. However, only 1/3rd of Hammer films were horror! After belting this high-stakes horror film, Hammer went on to produce The Quiet Ones and Woman in Black: Angel of Death, the sequel to James Watkins' widely popular entry. When two titles are shown for a single film, the first title is that as released in the U.K., the second in the U.S. Honing its craft the company largely focused on crime thrillers and films noir such as Man Bait, Bad Blonde, and Terror Street. The company tried for years to get an adaptation of his novel I Am Legend to the screen. The British Hammer Film Studios, mostly known for Gothic Horror Flicks, made a lot of interesting films from the 50s to the 70s. Refine See titles to watch instantly, titles you haven't rated, etc 172 titles 1. Over the years of production, they made comedies, dramas and television series but the studio’s most famous mark on film-making and Hollywood has been the “Hammer Horror” films. What’s more, many of their players have been amongst the biggest names in genre film, including Peter Cushing, Joan Collins, Joanna Lumley, and Christopher Lee, among others. Veronica Carlson “Cheesecake” photos from the age of what has since been called “Hammer Glamour” (coined perhaps by Marcus Hearn in his book of the same name**) abound. Audiences flocked to witness the ensuing chaos and gruesome special effects. For each film, the book offers a story synopsis, production history, and a discussion of critical and popular reaction. In 1954 Hammer returned to adventure stories with its first colour feature film ‐ The Men of Sherwood Forest. The appeal of Hammer Horror lied mostly in its overtly violent and sexual content, however, this trademark specialty started dimming in comparison to Hollowood blockbusters like Rosemary’s Baby and Night of the Living Dead. Hammer films remains one of the most successful and legendary of all British film companies. The company also focussed on straight literary adaptations from novels by the likes of Denis Wheatley, H. Rider Haggard and J.B. Priestley. It would be quite possible to tackle Hammer films by beginning at the beginning with The Quatermass Xperiment (1955) and their classic gothic trilogy – The Curse of Frankenstein (1957), Dracula (1958) and The Mummy (1959) – then working forward chronologically. The Curse of Frankenstein was so successful that CBS commissioned a pilot from Hammer for an anthology TV series titled The Tales of Frankenstein.Lolita. Hammer Films needs to have yet another resurgence. Hammer swerved deep into the genre of adult horror with The Snorkel, which chronicled the story of a teenager who comes to the realization that her stepfather is a cold-blooded murderer. Hammer Films trademark combination of gore and decolletage had in dozens of "Frankenstein", "Dracula" and vampire movies that would continue to be a staple of late-night television for years to come. In 1955 one film, The Quatermass Xperiment changed the course of Hammer’s film output almost overnight. With these two films alone Hammer had cemented the company name in the lexicon of audiences, film critics and censors alike. Over the years of production, they made comedies, dramas and television series but the studio’s most famous mark on film-making and Hollywood has been the “Hammer Horror” films. There were celebrations all round in 1971 when When Dinosaurs Ruled The Earth was nominated for an Academy Award for Jim Danforth’s stop motion work on the film. Its follow up Hammer House of Mystery and Suspense contained thirteen mini-thrillers. References Hammer’s ‘When Dinosaurs Ruled The Earth’ on a banner when the T-Rex storms the visitor centre. Founded in November 1934, Hammer is one of the oldest film companies in the world. As Hammer Films recently signed a worldwide distribution deal with StudioCanal, the influential production house might have a few more compelling horror entries waiting for audiences in the near future. Hammer Film Productions was founded in 1934 by William Hinds and his partners. Hammer marked its return to features in 2010 with the release of the critically acclaimed Let Me In, an adaptation of the highly praised Swedish film låt den rätte komma in. The Hammer Story provides a film-by-film dissection, dripping with rare promotional material and previously unpublished photographs. Hammer Films trademark combination of gore and decolletage had in dozens of "Frankenstein", "Dracula" and vampire movies that would continue to be a staple of late-night television for years to come. The British independent film company Hammer Productions was founded in 1934, and flourished in the mid-1950s through the 70s with "Gothic Horror" films often based on classic literature characters and imaginative story fragments. [The Devil Rides Out, The Witches, She, The Vengeance of She, The Old Dark House]. These are the known, theatrically released, feature-length films produced or co-produced by Hammer Productions. About The Hammer Story: The Authorised History of Hammer Films Fifty years ago, Hammer Films released The Curse of Frankenstein. Hammer also ventured into comedy-horror parodies such as that of The Satanic Rites of Dracula, which attracted much criticism from audiences and critics alike. The success of Dracula spurred an entire genre of vampire movies, including sequels such as The Brides of Dracula and Dracula Has Risen from the Grave. En los años '40 los negocios fueron mal y la Hammer dejó de producir durante la Guerra. While Hammer Productions also dabbled in historical epics, sci-fi noirs, and psychological thrillers, the company is best known for creating a legacy in horror, especially with the critical success of The Woman in Black and Let Me In. Click the button below to start this article in quick view. To the Devil A Daughter, was the company’s last horror film of the 20th century. The monster movie was back, and Hammer jumped at the opportunity to reinvent other characters including The Abominable Snowman (1957), and The Mummy (1959). Included are all the Gothic/Horror Films, Sci-Fi, Adventure/Fantasy and some others. How a small studio brought new blood to the British horror film. Prehistoric Women (1967)The Sci-fi cartoon, Futurama, show’s episode Amazon Women in the Mood is thought to be a parody of Prehistoric Women. Now, for the first time, Hammer has given its active backing to an authorized history of the company, and has provided unlimited access to its archives. The go-to source for comic book and superhero movie fans. Following the outbreak of World War II, and with its executives seeing active service, production ground to a halt. With a growing demand for British-produced supporting movies after the Second World War, Hammer was re-formed and began to dabble in crime capers, and boy’s own adventure stories. It was business as usual for Hammer as the 1950s opened, with Hammer producing a steady supply of support drama and documentaries intended to play alongside feature films in cinemas. Here’s the history of Hammer Horror, along with how it shaped several key cinematic genres, explained. With a handful of tools – iconic actors, small budgets, simple sets, beautiful heroines, and charismatic heroes – Hammer consistently nailed it, delivering one memorable horror film after another. Hammer Films The Bray Studio Years, Wayne Kinsey, 2002, Performing Arts, 368 pages. While Hammer has been producing horror films to this day, the production can be best understood by focusing on its golden age, which ran from 1955 to 1976. Hammer is synonymous with horror, after defining the genre in Britain with classics such as Dracula, The Curse of Frankenstein and The Mummy, which spawned numerous sequels. Top 10 Hammer Horror FilmsSubscribe: http://bit.ly/2tVCcUHThey really don’t make them like this anymore. As well as horror Hammer continued to produce a wide variety of other genres, including comedy and drama. About Hammer Hammer is synonymous with horror, after defining the genre in Britain with classics such as Dracula, The Curse of Frankenstein and The Mummy, which spawned numerous sequels. Shorter works and television productions are listed separately. The now-legendary British company went on to make such classics as The Curse of Frankenstein and Dracula (and their many sequels), making international stars out of Peter Cushing and Christopher Lee, changing the face of horror cinema, and inspiring a generation of Hollywood filmmakers. There have been numerous references over the years. However, only 1/3rd of Hammer films were horror! The financial climate forced Hammer to seek novel ways to spice up its output. Following the outbreak of World War II, and with its executives seeing active service, … Over time, Hammer Films production came to be characterized by low-budget thrills, an abundance of … Acclaimed Hammer. In the pre-war period Hammer’s output ranged from comedy The Public Life of Henry the Ninth, and slave drama The Song of Freedom starring Paul Robeson to the ambitious Bela Lugosi feature The Mystery of the Marie Celeste. The Legend of Hammer Films Mummies PCASUK by Peter Cushing Appreciation Society. The history of Hammer Films is a rich and interesting one, as it birthed a host of intricate character portraits that inspire filmmakers to this day. NEXT: The Toxic Avenger Explained: A History Of Troma Movies. Although no longer a force in horror cinema, Hammer discovered another outlet for horror product – television. This is "History Of Hammer Films" by Lucas Roche on Vimeo, the home for high quality videos and the people who love them. Hammer is synonymous with horror, after defining the genre in Britain with classics such as Dracula, The Curse of Frankenstein and The Mummy, which spawned numerous sequels. X the Unknown (1956)Listed by Stephen King in his book Danse Macabre as one of his favourite films. The most films that Hammer released in any year was nine in both 1954 and 1959 while it released only one film in 1947, 1976, 1979, 2008, 2011 and 2012. I … Robert Simpson rated it it was ok Jul 03, 2011. IMDb, the world's most popular and authoritative source for movie, TV and celebrity content. Apart from belting out notable horror entries, Hammer reacquainted audiences with vivid color in film, especially one that aims to jarr and shock against a Gothic backdrop. One Million Years BC (1966)The Shawshank Redemption. The Brides of Dracula (1960)The Wachowski’s. He also owns one of the only surviving Frankenstein Created Woman 16mm prints. Hammer Film Productions is a film production company based in the United Kingdom. A history of Hammer Films, including an overview of the 21st century revival under the Dutch producer John De Mol, originally published in The Wiley-Blackwell Encyclopedia of the Gothic (2012) edited by W. Hughes, D. Punter & A. Smith. Quatermass and the Pit (1967)Alan Moore (Comic Book Author)In ‘Black Dossier’, the third League of Extraordinary Gentlemen book, Quatermass appears in a short segment in which he takes his niece and nephew to visit an interplanetary zoo. Fifty years ago, Hammer Films released their very first horror movie, The Quatermass Xperiment. Debopriyaa Dutta is a content curator, poet, and film critic based in India and a frequent contributor for High On Films. The Curse of Frankenstein (1957)Tales of Frankenstein. A clip from Dracula, 1958 features on a TV screen. The end of the decade saw a series of war films, and some ‐ notably The Camp on Blood Island ‐ received considerable critical acclaim. In the pre-war period Hammer’s output ranged from comedy The Public Life of Henry the Ninth, and slave drama The Song of Freedom starring Paul Robeson to the ambitious Bela Lugosi feature The Mystery of the Marie Celeste. In 2011, Hammer released Antti Jokinen’s The Resident starring two-time Academy Award® winner Hilary Swank (Boys Don’t Cry, Million Dollar Baby), Jeffrey Dean Morgan and Hammer legend Sir Christopher Lee, as well as the critically lauded Wake Wood directed by David Keating and starring Aidan Gillen, Eva Birthistle and Timothy Spall. ‘If I single this one out it’s because here they actually isolate the soul… The implied metaphysics are close to something sublime.”A Hammer fan, Quentin Tarantino, has stated that his favourite British director is Terence Fisher. Hammer House of Mystery and Suspense (1984). Brief History of Hammer Films Founded November 1934, Hammer Films released several minor features before the advent of World War Two ceased production. The Woman in Black starred Daniel Radcliffe as a young, recently-widowed lawyer in 20th century England who discovers the vengeful ghost of a woman in a remote village he travels to. Feature films. Although the film garnered negative to mixed reviews, the ghoulishness of Frankenstein’s monster delighted audiences and later influences stalwart directors like Tim Burton and Martin Scorsese. Find many great new & used options and get the best deals for The Hammer Story: The Authorised History of Hammer Films by Alan Barnes, Marcus Hearn (Hardback, 2007) at … A Thing of Unspeakable Horror: The History of Hammer Films: McKay, Sinclair: Amazon.sg: Books Over the years of production, they made comedies, dramas and television series but the studio’s most famous mark on film-making and Hollywood has been the “Hammer Horror” films. When Dinosaurs Ruled The Earth (1970)Argo. The company has had a lasting impact on popular culture, paid homage to in all manner of releases from Frankenweenie to Jurassic Park and The Shawshank Redemption. Iconic image of Raquel Welch used as the poster in Andy’s room that hides his escape route. Returning to movie-making in 1947, Hammer’s output consisted largely of modest B-grade pictures (crime thrillers and comedies, often adapted from successful stage or radio plays) but it was yet to find international success. The film was written and directed by Matt Reeves (Cloverfield) and stars Chloe Moretz (Kick-Ass) and Kodi Smit-McPhee (The Road). Be they vampires, victims or Victor Frankenstein’s most ambitious creation — Hammer’s actresses were unlike any other women in the history of genre film. Brief History of Hammer Films. Blood, gore, extravagant costumes and sets were presented in vibrant colour, enraging censors, but delighting audiences in equal measure. [Dr Jekyll and Mr Hyde, The Phantom of the Opera]. Gothic horror was out of fashion, and Hammer couldn’t find backers for production. Hammer Films: A History of Hammer Horror In 1934, theatre owner Enrique Carreras and William Hinds decided to come together to form a film distribution company named Exclusive films. However, due to the advent of high-budget Hollywood horror productions, Hammer gradually lost its appeal, on which, the company attempted to rebrand its horror by granting a mix of martial arts due to the rising popularity of Bruce Lee. Here he is identified as Uncle Bernard. By 1970 the British film industry was beginning to suffer financially as the arrival of colour television contributed to a sharp decline in box office revenues. Nic de Lisle rated it did not like it Jan 02, 2018. The Nanny starring Academy Award winner Bette Davis, Scream of Fear starring Susan Strasberg, and Paranoiac starring Oliver Reed. The Matrix Reloaded features a reference to Brides of Dracula. Fifty years ago, Britains Hammer Films changed the face of horror cinema with such films as "Dracula" and its many sequels, and made actors Peter Cushing and Christopher Lee international stars. Hammer Productions belted genre-changing horror films, like Dracula, The Curse of Frankenstein, & Let Me In. Over time, Hammer films acquired a distinctive brand of blood, gore, and campiness. Founded in 1934, the company is best known for a series of Gothic horror films made from the mid-1950s until the 1970s. The year 1979 saw the unfortunate Hammer remake of Alfred Hitchcock’s The Lady Vanishes, with the company’s last blockbuster success being 1959’s The Mummy. A concise, affectionate potted history of the rise and fall of Hammer Films, Sinclair McKay's A Thing of Unspeakable Horror is a breezy enough read for those seeking an introduction to the famous company and the movies they produced; however, it will certainly prove frustrating for those who would already class themselves as seasoned Hammer fans. However by the middle of the decade the game was up. The company tackled other genres, including psychological thrillers, sci-fi, noir and historical epic. 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Some of the most critically praised being its string of psychological thrillers. And though the history of Hammer, and of the British horror movie in general, is worthy of deep exploration, so many books have done a far better job than McKay's lightweight effort; for a comprehensive history of Hammer, try Marcus Hearn and Alan Barnes' The Hammer Story, or for a great look at the entire genre of British horror films, Jonathan Rigby's English Gothic is still hard to beat. More information From Vampires to Cave Girls: The History of Hammer Films All the latest gaming news, game reviews and trailers. Their name is synonymous with gothic horror throughout the world. The author has interviewed many of the actors and other employees most of whom recollect their times at Hammer with amusement and affection. Hammer House of Horror, contained tales of genuine horror laced with a twinkle of dark humour. A commercial and critical hit, the film posed the question what might happen if an alien virus really was brought back to Earth? While their plans were somewhat foiled by the chaos that ensued during World War II, the company resurfaced in 1947 as Hammer Film Productions. Donald Pleasance vs. Malcolm McDowell. Hammer Film: Blood of the Mummy’s Tomb (1971) Hammer marked its prominent return in 2010, with the release of the critically-acclaimed Let Me In, Matt Reeve’s adaptation of the Swedish låt den rätte komma in. They featured a cast as diverse as Peter Cushing, Brian Cox, David Carradine, Stephanie Beacham, Diana Dors and even Pierce Brosnan. Following the success of The Quatermass Xperiment, Hammer switched focus from the struggling crime thriller pictures of the early fifties to horror. RELATED: The Woman In Black Ending & What Jennet Really Wants Explained. During its most successful years, Hammer dominated the horror film market, enjoying worldwide distribution and considerable financial success. A poster from When Dinosaurs Ruled The Earth appears in the movie in John Goodman, and Alan Arkin’s office during the pivotal scene.Jurassic Park. The Devil Rides Out (1968)American Author Richard Matheson scripted both The Devil Rides Out and Captain Clegg for Hammer. Fifty years ago, Hammer Films released The Curse of Frankenstein. Hammer is synonymous with horror, as the company evolved into a definite genre in its own right in Britain, with the aid of horror movies like Dracula, The Curse of Frankenstein, and The Mummy, which have ushered numerous sequels since. The Quatermass Xperiment (1955)Quatermass and Dr Who. Fans immediately were drawn to regulars Christopher Lee - unforgettable as hypnotic Dracula - and Peter Cushing as an intense, passionate Dr. Frankenstein. In 1951 Hammer began to co-produce its films with the US producer Robert Lippert, enabling the company to develop its North American market, and cast US stars. In terms of recent entries, The Lodge saw its world premiere in 2019 and has been praised due to its visceral quality of atmospheric horror. Apart from being a published author, Debopriyaa has been writing professionally since 2014, and holds a Master's degree in English Literature and Theory from the University of Delhi. Andrew rated it it was amazing Dec 22, 2017. The history of British horror movies is very much tied to the story of Hammer Films. see review. In the cinema scene in Lolita when both Lolita and her mother take James Mason’s hand they are watching The Curse of Frankenstein. In the revived series, 2005’s ‘The Christmas Invasion’ references the British Rocket Group, in 2009’s ‘Planet of The Dead’ Lee Evans uses a unit of measurement called a ‘Bernard’ which he later explains is in reference to Quatermass. The company’s comedy output included Up The Creek (1958) starring Peter Sellers, and the Dr Jekyll inspiredThe Ugly Duckling (1959). The decade also saw production of the company’s first television series, Journey to the Unknown, an anthology series airing on ABC Television. But this time Hammer shouldn’t start out remaking shit like The Babadook (it’s only a matter of time) and start rebooting their classics. While their plans were somewhat foiled by the chaos that ensued during World War II, the company resurfaced in 1947 as Hammer Film Productions. Then, 2011 saw Antti Jokinen’s The Resident, starring Hillary Swank and Christopher Lee, which was received well by critics. Plus, I'm only r Dracula (1958)Frankenweenie. Now, for the first time, Hammer have given their active backing to an authorised history of the company, and have provided unlimited access to their archives. 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